Sunday, May 31, 2020

How to make a simple miniature bench

When I realized I needed to make some of my own miniature furniture for my dollhouses, because I couldn’t find what I was looking for in mini shops, one of the first things I made was a bench.
This is the bench, something rustic and old world for the cottage I had just built.

Let’s start however, with a basic style.
This is as simple as it gets, a seat, 2 supports and underneath a structural piece.
This particular bench was made of balsa. I use a band saw to cut my wood. I had a scroll saw, back before I got into miniatures, but it broke, and I’ve never gotten around to buying another one.
Generally, you can sand balsa pretty well, except for the grain, which shows up no matter how much you sand. If you have a Dremel, or similar tool, it makes sanding curved cuts so much easier. These benches are pre Dremel, but it’s ok, they’re rustic and a somewhat rough look is quite appropriate. On the other hand, don’t leave your rustic furnishings too rough. You need to decide just how much you want to sand to give things the look you want.

When designing a bench like this, just decide on how wide, long and high you want it to be. This particular bench is 1 & ¾” high. The seats of chairs and benches should be around 1 & ½” to 1 & ¾” high, with 1 & ½” being the most common used height.

Once you’ve decided how long and wide you want it to be, cut out a simple rectangle for the seat. With the supports, you can stay simple or get a little creative. I tend to lean towards curves, some people like straight sides. Look around at benches for sale in stores, or pictures in magazines and catalogs for looks you like and adapt them.

My favorite tool to draw curves for furniture is a anything I have in my kitchen. I have a compass up in my studio, but I find I do most of my planning while I’m in my kitchen. When I kept the compass in my kitchen drawer, I always found I wound up needing it up in my studio. I suppose the smart thing would be to buy another compass for the kitchen drawer, but I keep forgetting to. Anyway, as long as my kitchen is full of glasses, lids and coins, I can make a curve whatever size I want.

I’ll start designing the supports by drawing a rectangle that’s as high and about as wide as I want the support to be. As an example, here I drew a rectangle 1” wide and 1 & 3/8” high. Assuming that I’m using 1/8” thick wood for the seat, that would make the finished bench 1 & ½” high.
In the upper illustration I drew a curve with a red pencil using an item I had on my desk. In black pencil, I drew another pair of curves using a larger cup. The smaller stamp holder is 1 & ¾” in diameter, the cup is 2 & ¾”. You can see how the curves differ.
Note also, in the lower illustration, that I marked off the bottom and top of the curves. I’d cut those little tips off when I cut the bench support. Those tips tend to break off eventually.

The final piece you need to cut is a brace that helps hold the bench pieces together, and here it is.
Below is another bench, made just like the blue one, only it’s longer. Notice that there are 2 braces, one at the top, one lower down. You need extra bracing to make a longer bench a sturdy piece of mini furniture that won’t break into pieces the first time you drop it.
By the way, use wood glue to put it all together. Wood glue is formulated to hold wood, and is a basic woodworking tool.
Also, sand your pieces before you glue them together, it makes things easier.
Finally, lets talk about the paint.
I painted the bench, then sanded it smooth. Paint will raise the fibers of the wood and make the piece seem very rough. The sanding takes off quite a bit of paint. Use an emery board to sand your curves and edges. If you have a small rotary sander like a Dremel, that’s great, however, use the Dremel to sand before you paint, not after, it will take every bit of paint off.
After sanding, I painted the bench again. This time I sanded gently, to give it a worn look. I used very fine sandpaper and the finer side of the emery board. Another great sanding tool is a foam sander. They come in various grits, in blocks or in sheets. I’ll cut smaller squares off sheets of foam backed sandpaper to sand my miniature pieces.
I’ve seen lots of pieces of miniature and real sized furniture that were sanded to give a worn effect. The problem is that many over sand and/or do it in the wrong places. Places that get handled or kicked will show wear and tear. Places that are constantly rubbed will eventually loose some paint color. Edges get worn before anything else.
Don’t wear your paint down willy-nilly, give it a bit of thought and you’ll be glad you did.

An easy miniature rag rug

I had this idea for a while, for an easy to make rag rug.
I made one for Miss Frobisher's Cottage, back when I was new to making miniatures. I placed strips of embroidery floss side by side and stitched them together with my sewing machine. While I was doing it I kept thinking there had to be an easier way, maybe with spray adhesive?
Eventually I bought some spray adhesive and tried it.
It doesn't look bad at all. I should have spent more time on it, some of the threads got crossed, leaving a few little gaps, but I realized that it was almost 3:30 and I had to get dinner started before family started asking me "is there anything to eat around here?"

I used some embroidery floss my daughter left behind when she moved out years ago, and some cheesecloth. Old gauze bandage would do fine too. I've got some that's been sitting in my dresser drawer for 15 years from when I burned my hand. I should move it to my studio where I could get some use out of it.

I started by cutting out a piece of gauze and laying it on my table, then I cut lengths of embroidery floss a bit longer than the size of the rug I wanted.
I sprayed the cheesecloth with adhesive, and started laying down strips of the floss. It does get to be a bit of a sticky job. I found the best way to do it was to lay down the thread, then hold it down on the gauze at one end while I slid my finger along the thread to lay it flat on the gauze. Then I'd reverse and smooth the other way. I could lay down several threads, then I found that I needed to give the gauze another spritz of glue to continue.
I also learned that it doesn't matter if the glue sprays onto the threads.
Here's a picture of the rug and how it looks from underneath.
I made the rug bigger than I needed it to be, so I could cut off the raggeddy ends.
The spray adhesive stiffens up the rug a bit, and it lays flat.

If you're a bit more careful than I was, taking a little more time, you should have a very nice little rug without too much effort.

How to Make a Miniature Stove


 I needed a contemporary style stove for the Bungalow kitchen, and I wasn't satisfied with the stove I had originally bought. It looked a bit too toylike to suit me, so I decided to see if I could make myself one out of basswood.

MATERIALS:
1/8" thick basswood
1-2 square dowels, @ 1/4" thick, though any size will do
3/16" thick basswood, 3" x 3/8" high
4 lock washers
small guage aluminum wire
thin aluminum tubing
1/8" thick dowel
1/4" thick round wooden dowel
white paint
white enamel spray paint
black paint

I used 4 pieces of 1/8" thick basswood to make the sides of a box.
The back and front were cut 2 & 3/4" wide x 2 & 15/16" high.
The sides were 1 & 7/8" wide x 2 & 15/16" high.
I based my measurements on the sink and counter pieces I was using. I could have cut my sides 3" high instead of 2 & 15/16", but it wouldn't have worked for me. You can make your stove as high or wide as you want.
The stove top, which forms the top of the box is 2" x 3".
Here you see the underside of the stove, and how the sides, back and front fit together. I used some square dowels to reinforce the box and help keep things squared up.

I glued the 4 sides together with wood glue, then I glued in the dowels. You want the tops of the dowels to be level with the 4 sides of the box, so you can glue the stove top to the 4 sides and the tops of the dowels. This way you get a pretty sturdy box that isn't likely to break if you drop it.
But don't glue the top on yet!

Next you need to cut out the 3 pieces that go on the front of the stove. They make up the control panel where the knobs will go, the oven door and the broiler door (or drawer).
The narrow top panel for the knobs is 3" x 1/4" high. The oven door is 3" x 1 & 11/16" high, and the broiler door on the bottom is 3" x 3/4" high. These 3 panels will be glued to the front of the stove.
Now, I could have just scribed in some lines to mark the separations, but I really wanted a toe kick under the stove. It just makes it look more real I suppose. By gluing the panels on I get the open space underneath that I painted black.

Once you glue the front panels on, you can glue on the top. Be sure that the top isn't too short. It's better if it's a hair too long than a hair too short. if there's too much you can always sand off the excess. Apply wood glue to the tops of the 4 sides of the box and to the tops of the dowels, then press down the stove top and let dry.

If you find any slight gaps where 2 pieces of wood meet, just fill in the space with wood putty or drywall compound or spackle. Once everything is dry and to your satisfaction, sand your box smooth, and apply a coat of flat white paint. It can be a primer, or acrylic or latex paint. When that's dry, you'll want to sand the box smooth again.
I have to confess, I was in a hurry, and could have sanded my stove a bit better.

The next piece you need is the splash back. I used a somewhat thicker, 3/16" piece of basswood for that. The splashback is 3" long x 3/8" high. I painted and sanded it smooth before gluing it into place.

Next I used white enamel spray paint to paint the stove. I wanted a glossy finish, and spray paint seemed the best idea. It took several coats, you might need to sand again after the first coat of paint is dry.

Next I made the oven door handle. For this I used some aluminum wire and tubing from the hardware store. Just pick a piece of tubing that will slide over your wire. The wire I used was similar in guage to a cheap coathanger. I cut the tubing with a pair of tin snips. The snips flattened the end of the tubing where I cut it a little, so I used a narrow dowel or wire to shape it back out.
I cut the tubing 2" long, and the wire @ 2 1/2" or so. I drilled 2 small holes into the top area of the oven door where I wanted to place the handle. I drilled the holes 2 & 1/8" apart. I bent one end of the wire with a pair of needlenose pliers so it would fit into the hole, and stick out enough for the tubing to slide over it.
Next I had to bend the other end of the wire and fit it into the hole. This was a bit trickier, I just had to experiment a bit til I got it right.

I could have made a similar handle for the broiler, but I admit, I was feeling lazy and I wanted to get done, so I decided to see how a different handle would look. I cut a 1/8" thick dowel 2" long, then I sanded one side of it to flatten it out. This way it would glue to the "door" more securely. After gluing it on I gave the front of the stove another shot of enamel spray paint.

The next step was to glue in the aluminum door handle. I applied a little glue to the ends of the wire and pushed them into place.

A piece of dollhouse cove molding or L shaped molding might also make good handles, but I didn't have any at the time.

The knobs are cut from a 1/4" dowel. I painted a section of dowel black first, then I cut the knobs. I glued them into place, after which I painted the cut ends black to match.

The gas burners are made from lock washers, also from the hardware store. I painted black circles where they were to go, then glued them on.


While I was making the stove, I noticed that at one point it looked a lot like a washing machine, or a dryer, and with a few minor details, you could turn the basic box into one too.

Idea for a miniature doormat


Do you have a problem with tiny feet tracking dirt and mud onto your clean dollhouse floors? I'm not talking about the cat.....that's a small attempt at humor. OK, a very small attempt.

The last time I bought non slip matting to put under my real size runners and area rugs, I was immediately reminded of a rubber welcome mat.

I've seen it in white and brown. Maybe it's available in black somewhere, but I haven't seen them.
So to turn it into a doormat, I had to cut a piece and paint it.
I used black acrylic craft paint to do it, painting one side and letting it dry, then flipping it over to paint the other side. When that was dry I painted any little white bits that were left. One word, though, if you bend the mat, the black paint might crack or flake off.
This does make a great looking rubber doormat at a cost of 0 money, as long as you happen to have some of the matting around the house. I've also recently seen small squares of the same non slip product being sold in bundles, to put under the corners of rugs, for as little as 99 cents, and also as a roll of shelf matting for kitchen cabinets. The shelf matting came in white or brown. It was also very inexpensive.
Since first publishing this tip, I've heard from several people that they've seen the matting sold in black. Too bad I haven't seen black ones in my area.

How to make a Miniature Planter

I had originally published this tutorial on my old blog back in 2007.

Materials...
4 balusters: I used the traditional balusters, made by Houseworks

1/16th " thick basswood: a small piece

A very thin dowel: I happened to have some wooden old skewers laying around. My skewers are @ 1/8" in diameter.

A square dowel @ ¼” thick

A piece of wood 1/8 to ¼” thick. I used a piece from a bag of assorted craft wood I got at a craft store or Walmart

A piece of decorative wooden trim

Wood glue

Wood putty, in case you drill your holes all the way through the baluster

A drill, I used my Dremel tool.


I began by drilling 2 holes in each of my balusters, you’ll notice one is slightly lower than the center of the block, the other hole is closer to the top of the block. This is important, or your holes will just run into each other.

Be sure your holes are centered and spaced correctly. If your holes are wrong, your dowels will look all crooked.

Try not to go all the way through the baluster when you drill your holes. If you find you’ve gone all the way through, don’t despair, just make sure you have some wood putty to fill the holes up before you paint the finished planter.

Next cut the dowels. You’ll need 2 long and 2 short. I cut the longer ones 3” long, and the shorter ones 1 1/8 “ long.

You need to give the ends of your dowels sharpened points, so that they can fit into the holes you drilled in the balusters.

At this point, some might say, well why can’t I just make the holes in the bottom of the baluster bigger, so I cen just put the whole dowel straight in? The answer to that is, if you make the tiniest mistake in the placement of your drill bit, 2 bigger holes in the bottom of those balusters will eat up the whole piece of wood. Why not use a thinner dowel? If the dowel is too thin, it’ll break more easily, and the proportions of the plant stand won’t be as pleasing.

I used an electric pencil sharpener to sharpen the ends of the 3” long dowels. I had to lift them in and out and turn them a bit, but they came out fine. You can’t stick a 1” long dowel in a pencil sharpener, so I sharpened one end of the dowel before I cut it. I found that a drum sanding attachment on my dremel worked very well to shape the other end of my 1 1/8” long piece.

Dry fit the rods in place in the holes

This shows how the rods go into the baluster block.

Now you are ready to glue the longer rods in place. Be sure you match your holes up correctly. Dab the rod points with a glue and push them into their holes. Press them in firmly, but not too hard. Lay the 2 balusters which are now attached to each other by the rod. Make sure that everything is laying down flat, with no twisting. Readjust the rod before the glue has a chance to set. Make sure everything looks straight.

Repeat this with the other 2 balusters and long rod.

Let the glue dry and set a bit.

Meanwhile, get the piece of 1/16th inch basswood.

I cut 2 pieces, each ¾” x 3 ¼”. When the glue on my balusters was set enough so I could handle them, I glued the basswood pieces to the upper parts of the balusters.

I used some small clamps to keep the basswood in place and let dry. My basswood strips turned out to be almost 1/16th” too long, which was fine. The extra bit can be sanded or cut off so that the ends of the basswood pieces are even with the baluster. Having them a bit too long is better than a bit too short. If they are too short, you have to recut new baswood strips.

Again, when gluing, be sure you keep everything straight. A jig is helpful. I still haven’t gotten around to making or buying one, so I used a carpenter’s square and a square dowel to align my pieces.

Be sure the glue on these pieces is quite dry and firm before you proceed to the next step. Look at the picture below to get a closer look at how the pieces fit together to form the box.

I cut the square dowel into 2 pieces that would fit between the balusters. They were 2 and 13/16th inches long. I glued them to the bottom of the inner side of the basswood. Clamp and let dry. Below you can see the underside of the plant stand
I then cut 2 small pieces of basswood, each ¾” x 1 and 5/16th inches. These will make up the sides of the “box”. I also cut a piece from the thicker wood, the one listed as 1/8 to ¼ inches thick. I could have used some thin basswood, but I felt the thicker wood might make the planter a bit sturdier. This thicker piece was 1 and 3/16th inches by 3 and 1/8”, and was notched in the 4 corners . This piece forms the bottom of the “box”.

Now comes the tricky part, adding the side pieces and gluing it all together.

Take one of the short dowel pieces and glue it into place at the bottom of the baluster, then carefully glue the small basswood piece into place. I held it in place for a few seconds, then gently layed it down on its side .

I slipped a piece of the thin basswood under the lower end of the legs to keep everything aligned,while the piece was laying on its side, and let it dry. I then flipped the planter over and glued the other short dowel and the other basswood piece into place and let dry.

When everything is dry and set, you can pop the thicker bottom piece into place. If it’s a bit big, just trim where needed. If it’s a bit too small it doesn’t matter, it will still hold everything together once it’s glued in place. Just apply a bit of glue everyplace where this piece touches another piece.. Let dry.

If you’ve drilled through the baluster bases, apply some wood putty.

Next you can apply some decorative trim. I had a couple of pieces to choose from, I selected the one I thought looked best.

It’s important to lay out the trim pieces carefully so they are in perfect visual balance. No cutting through a flat part on one end and a curved part on the other end.
Then cut to fit, glue and let dry. Small clamps are helpful.

Sand any rough edges with an emery board.

You are now ready to paint. I chose to use spray paint for this project. I have found, however, that if you apply a bit of acrylic artists paint to the cut edges of the wood, it’ll seal them and the spray paint will come out looking better, faster.

I dabbed a bit of white paint in a few spots and when it was dry I spray painted. I used the fast drying paint, and was able to apply a new coat every 15 minutes or so.

I did sand the flat trim surfaces slightly after the second coat had tried. I continued applying coats of paint til I was satisfied that everything was covered with an even coat of paint.

ADDING THE FLOWERS

You can place potted plants inside the stand. I have those wooden “pots” that I paint to look clay-like, however, they are a bit big. Mine are 1” tall which translated into human sized is a pretty big pot, or 1 foot high.

I decided to just “plant” the flowers into the stand.

I used a piece of the ¼” thick scrap wood I used to form the bottom of the “box”. I cut it the same size, with the notches, and painted it dark brown.

I rummaged through my flower and leaf pieces and made my selections. I had purchased a clump of tiny leaved ivy in the floral department of a craft store to use when I did the exterior of the Nuthouse. I plucked off some of the smallest leaves, then trimmed them somewhat and used them

to form the leaves of the yellow plant. Houseplants are actually tropical native plants, and quite a few, if you’ve noticed have rather large leaves, so the size of these works well for that.

I also found that if you drill holes into the wood for your flower and leaf stems, they will be more likely to stand up just the way you want them to.

When your selection is made, and the proper sized holes are drilled, dab a tiny bit of hot glue in 2 or 3 holes. The glue will melt the plastic stems if you apply it to the flower, but I’ve found that in the moments it takes to put down the glue gun and pick up the flower and place it into the hole, the glue has cooled enough so it is not a problem.
The circled areas show where the stem of the plant is less likely to melt. I had to cut the stem of the longer flower on the left. When gluing it into place, I let the glue cool a couple of seconds longer. You can also tape several fragile flower stems together with floral tape, then drill a hole big enough to hold the taped stems.

Once your plants are glued in the way you want them, you can add tiny pieces of reindeer moss underneath them, to partially obscure the painted wood and the occasional bare stems. I had originally considered using coffee grounds, but saw that the slight fluffiness and texture of the moss would suit better.

Finally I glued the piece of wood holding my completed flower arrangement in place inside the planter using wood glue.

European Cottage Kitchen shadow box


When I was a girl my mother had a little wooden kitchen shadowbox. I loved that thing. She was forever telling me to be careful with it, because the glue was old and the little bowls, etc. were falling off the shelves. Eventually she put it away, as there were 3 more kids after me. After mama died my sister found it and sent it to me.
It needed some restoration work, I'd found evidence that it was probably made in the late 1940's, and I wrote about it here:  Mom's vintage shadowbox


Some years ago I was trying to think of something to give my mother for Christmas and I remembered that old kitchen. My mother was born in an old log house in Lithuania and I thought it would be nice to try and make a new roombox. At that time it was almost impossible to find pictures of old Lithuanian cottage kitchens, but I managed to find enough information to get me started. I figured I couldn't be totally accurate, so I went for a colorful folk art look, and here's what I made.

The kitchen was meant to be reminiscent of old Lithuanian cottage kitchens, in traditional log homes. Whether or not it's a good representation, I'm not truly sure. I did as much research as I could, and my mother said it reminded her of home, so it must be close enough.


The stove is the kind that was used throughout much of Europe, and I've seen several versions of it in Lithuanian cottage photos that I've found since then. 
The hutch is similar to those now sold in Michael's craft stores.
My mother loved to garden, so there are some flower pots on the top of the hutch.
The basket holds a bunch on tiny silk roses, since mama liked flowers. I filled the other half with a couple kinds of potatoes and carrots, made from Sculpey. I touched them up with paint to color them.
Here are the shelves, with painted on cloths. I also made some red apples for the bowl, and painted some woodenware. The finished miniatures I bought all came from Just Miniature Scale, a dollhouse shop in Greensburg, PA where we lived at the time.




On the table are preparations for a farmer's dinner, some bread, cheese, eggs ready to go into a pan, and dough rising for tomorrow's bread. The bread, dough, cheese and eggs in the blue bowl are all made from Sculpey.

Finally, here's the roof. These old cottages traditionally had thatched roofs, so I simulated one with drywall compound, aka: spackle or plaster. It's pretty rough looking, but it was just meant to give the suggestion of thatch. I think I used a whisk broom to mark up the plaster, then I painted it.

.



Vintage 1940s Shadow box restoration

From 2009
I found this ad in the back of the April, 1947 issue of Good Housekeeping magazine. Back then, the box cost $4.95, postpaid.
My mother aquired hers sometime in the early or mid fifties, secondhand. I eventually inherited it, and decided to clean it up and restore it.
I noticed last night, that the door in my little room could be opened. There was no knob, and I couldn't see any sign of glue from one, but since the frame was coming unglued, I pried it off. I found a painted scene inside.
Although the scene looks pretty fresh in this photo, in real life it was terribly grungy. I took a chance and tried to wipe off some of the grime, but discovered it was painted in watercolor. I dried the sections I had wiped right away. I'll be painting a new scene.
You'll notice in the picture, that the door has a Z on it, to simulate the cross boards. The front of the door is plain, so I imagine it was meant to stay open. Maybe that's why the frame work structure next to the door confused me originally. I had guessed that it was meant to be bunkbeds, and once I took a close look, I could see that nothing had been glued to it. With the door open like that, it's obvious that they're bunkbeds. I'll have to make some bedding for them.

Here's a closeup of the fireplace, with a fire painted on the wooden boards.
The paint used on the chimney is an oil paint, and I found I could wash it with no trouble. The hanging pot is securely attached on a wire, and I won't try to remove it for cleaning. The red pot next to the fireplace is also firmly attached. One of the benches was partially loose, and when I cleaned the table, I found that the glue on the back leg washed off easily. I thought I'd try to pry off the bench, but discovered that it was nailed to a support, and wouldn't come out without a fight. I decided not to fight. Apparently several kinds of paint and glue were used on this scene. Some wash off, some don't.
You can see what the wood originally looked like, underneath the painted door panel.
The splotchiness is where it's still damp. I had to remove the old glue and bits of cardboard that were under the original scene. I decided to use vinegar, and although it loosened up the debris, I found that the lines that simulated the boards and nails were done in a paint that could wash off with a little scrubbing.
I think the only further cleaning I'll do will be the gentle kind.
Many of the original pieces are left. I can pretty much tell where they might have originally stood, because of the glue marks and residue on the table and shelves.
I have one extra lid. It doesn't fit the red pot by the stove properly, so I think I may be missing a pot.
I also found some extras that I and maybe my younger sister added to the scene. I think my mother had stashed away the shadowbox before my brother and youngest sister showed up.
The two gray barrels are plastic and say "powder". I remember having a western style playset, maybe they came from that. The other, black barrel, was originally red. the black paint washed off and made a huge mess when I started cleaning it last night. The green lid and bowl are plastic. The bowl is stamped made in Hong Kong. The comb is plastic, painted tan, and the wooden yellow ball fits the extra red lid, but I'm pretty sure it wasn't an original piece.
The metal "cauldron" looks like it was an ashtray.
. There's some paint on it, which I'd like to remove, but there are also some tiny spots of rust on the metal. I don't want to damage it. Even if I don't replace it in this scene, I may want to use it in another project. It's cute.

Half of the room is finished.
I had started by cleaning whatever parts of the wood I could with vinegar.
I discovered that it was covered with a stain, that started coming off together with the decades worth of dirt, so I had to decide what I could clean and what should be left pretty much alone.
The stain and painted lines that made up the boards on the back wall tended to wash off easily with a little scrubbing, as I learned while trying to remove the glue that was behind the picture in the doorway. While trying to clean off the glue that held the horseshoe, I inadvertantly removed much of the stain. I tinted the area a little before gluing the horseshow back on, and before I'm done I'll retint to even out the color better.

I kept hearing from people that the horseshoe above the cabin door should be hung with the ends up, or good luck will run out.
I just rehung it the way it was in the first place, because there was a shadow of glue left on the wall.

I knew there had to be conflicting folklore about horseshoe hanging, because so many horseshoes are pointed downwards, not upwards.

On the subject of hanging horseshoes:

In depends on where you're from how they're supposed to be hung.
It seems that the horseshoe was associated with good fortune, period.

In some places, they say hang it upwards, so luck won't run out. In others, If it's upwards, the devil will find himself a seat above your door. In an old English tradition, bad luck could be aquired, but good luck could be taken away, so never hang your horseshoes upwards or bad luck will fill it up and enter your home.

Folklore says if you find a horseshoe, take it home with you for luck. On the other hand, if you find a horseshoe, throw it over your shoulder for luck.

There's lots more horseshoe folklore out on the internet, I won't repeat it all. It's pretty much like that old nursery rhyme:
See a penny, pick it up,
All the day you'll have good luck.
See a penny, let it lay,
Or bad luck will follow you all the day.


By the way, when I checked to see if I remembered the rhyme correctly I found there are variations on the rhyme too. Picking up pennies could be good or bad, depending on cisrcumstances.


This side is finished. The original glue turned out to be water soluble, but since scrubbing also removed the stain, I recided to just wet the glue, then scrape it off with a knife blade. Two or three wettings and scrapings were usually enough to remove most of the glue. Some of the glue I left alone, rather than run the risk of damaging the surface.
I could tell from glue residue, that some of the original pieces were missing. Of the items that had been added in my childhood, I chose to keep the 2 plastic barrels, the comb, and the black barrel, which I repainted olive green.
Also, rather than set the accessories in place with a liquid glue, I decided to use glue dots. By the way, although the plastic barrels on the top shelf look almost white in the picture, in real life they're a darker gray and blend in better. They were another reason for using glue dots. If at some point, I decided I wanted to swap them for wooden accessories, the glue dots should be easier to remove.
I had mentioned I had a leftover lid, and no pot to put it on. I found that it fit the top of the bowl nicely. I put some white poster putty in the bowl, the lid on top and squeezed tight til the lid was firmly in place.
I still had some space to fill, so I turned to some unpainted wooden pieces I had purchased at a craft shop.

They're on the second shelf. The original pieces were painted with oil paints. For a while I wondered if I should get out my oil paints and freshen them up a bit, but I decided against it. Instead I selected some acrylic colors that would blend with the other pieces. To age the fresh paint I used my oil pastel crayons. I rubbed my finger on the brown crayon, then rubbed some of the color onto the freshly painted bowl, and then did the same thing with the black crayon. Most people don't happen to have oil pastels in the house, but a piece of charcoal, or some ashes should work the same way. Try rubbing your finger on the charcoal briquet, or charcoal drawing stick, then on the thing you want to age.
After being aged, the item needs to be sprayed with a protective covering, or the dirt and age could come off. I sprayed mine with Krylon matte finish. I've found over the years, that though the product dulls down a shiny photograph, which is what it was originally meant for, it leaves a very soft sheen when sprayed on wooden painted items. This sheen matched the old plates, etc, perfectly,
I nested a small red bowl within the ochre bowl with a glue dot. Next to the bowls stands a bottle I painted olive green.
Finally, I thought I needed a little something else. I remembered that the ad for the other room had a broom, so I made one and stuck it in the corner.

I decided to repaint my own version of the original scene that was in the doorway.
Originally I couldn't decided if the white and purple thing in the original scene was a mountain hanging in mid air or a poorly painted cloud, but as I was relaxing and watching TV the other night, I saw a snow covered mountain, with a foggy valley below it. That's when I knew it was supposed to be a mountain.
I painted in a forest below the mountain.


The final additions to the cabin are the bedding on the bunkbeds and the restoration of the door.
To make the bedding, I cut some small squares from the sleeve of one of my old shirts, and some foam to make mattresses. A while ago I bought some spray adhesive, and I finally got to try it out. I sprayed it on the fabric, then folded it over the mattress. I also happened to have some no stitch fabric glue I'd never used before. I put dabs of the glue on the top and bottom ends of the folded fabric and stuck them to the underside of the mattress to make a little foam package.
For the pillows, I used a little cotton canvas cloth which I folded over a few times. Then I hem stitched the edges. If I had glued them, they'd have probably laid pretty flat, and I wanted them to puff just the tiniest bit.






Building a 1" scale Beach House - from start to finish


Here’s a little one room beach house, inspired by a colorful reed placemat.
The house is up on stilts, like a proper beach house. Here's a picture of the base section as it was being put together.I drilled holes into the bottom of the posts and the base board and used toothpicks as tiny dowels to keep the posts in place, gluing everything securely. I could have glued small wooden blocks by the posts to keep them secure. They would have needed to be hidden somehow with mounded sand or greenery, etc.

Speaking of sand, I thought I should experiment with it under the house, since it wouldn't be very visible.
Although I later bought some fine white sand, the day I started my sand experiments I only had light brown  and some white play sand from the hardware store. The grains of play sand turned out to be too large.
I didn't want the sand to just be flat. I looked around for some kind of glue that would let me add a bit of texture to the ground.
First I tried Mod Podge. The problem with the Mod Podge was that it darkened the white play sand, turning it gray looking.
Next I decided to try drywall compound, aka plaster, spackling compound, joint compound. It left my brown sand nice and light in color, which was promising. The next day, though, my sand had developed cracks.
For the heck of it, I used some wood glue that I happened to have right at hand to fill the cracked areas, sprinkling more sand on top of it. The squiggly darker lines on the light colored sand show what happens when you mix sand with wood glue. It turns dark too.
I tried silicone caulk in the next section, but the light brown sand turned very dark.
Finally I opted for white glue. As you can see, my light brown sand turned dark and wet looking.
I might have had somewhat better results if I had painted the board white.
In the end, I sprayed the sand with adhesive and sprinkled white fine sand on top of everything. It looks fine for under the house, but I'll have to do better for the outside edges.
My next step was to glue a thin sheet of plywood on top of the platform. I used a 1/8" thick sheet I bought at the hobby shop. This would be the base floor of the house.

I built using posts and studs, as you can see in this picture.
Why is it that no matter how carefully I measure and cut, I usually wind up with something being just a little too long or too short? I was ready to cut the beam that goes on top of this wall when I found out that the 2 center beams were a hair taller than the others. I wound up sanding them down a bit.

You may have noticed that my studs and crosspieces are not neatly aligned. They're not neatly aligned in your real life house either.

Here's a picture of the house's deck or floor before the floorboards were added.


Here we have two walls up, and part of another.


Originally, I had meant to install the window shutters before I put the walls into place, but I realized I had no hinges. I thought I did, but I didn't. Since I had some free time and was in the mood to continue, I decided to attach the shutters later.
My windows will have no glass, the beach house is not designed to be used for chilly weather.

I used wooden pegs and glue to attach the walls to the floor and to each other. I just drilled some holes and inserted pegs which I cut from either bamboo skewers or toothpicks. In the corner shown, there will be a corner table with a couch and a chair, built as a single unit.

Here we have the three walls glued into place. together with the floor.


Here's a view of the front with the porch. There's a section missing, where the door goes.
For the flooring, I used a bamboo place mat. I was able to just cut a section and glue it down in one piece, very handy.



I cut strips of wood to act as battens, covering the seams where boards meet, (and where boards supposedly meet when I actually used a bigger piece of plywood). I guess you could call some of them faux battens.

Then I had to think about the door. I wasn't happy about how the door opened. It's just your basic dollhouse door complete in its package. I spent quite a bit of time sitting there opening and closing it, thinking about it, wondering if I should hinge it, or leave it be or do something else.
Finally I decided to take it apart.
I pulled off the threshold, then I pulled the door off its pin. I also decided to cut back the frame that went around the door. My wall is a little deeper than the frame and I decided it would be easier to cut it off than to fill in the gaps. Besides, the molding didn't go with the rest of the house. It was too "fancy".
I drilled new holes for the pins, and put the door back into the frame so it would open the opposite way, next to the bed. If I had just put the door in to open inwards, the door would have been in the wrong place, partially blocking the view.
Now to the shutters.
I bought several packets of miniature dollhouse hinges, planning on using them on my shutters, since I didn't have enough of the hinges I did have. I also thought that my hinges were too big.
However, once I put the little hinges on a shutter, I decided the miniature scale hinges looked too small. I realized they were better scale for furniture, not shutters. I wish I had thought of that before I bought them. I dropped one on the basement floor, by the way, and I still haven't found it. I also seem to have lost a few of the teensy weensy little nails too.
From the moment I thought of a beach house, I wanted upward swinging shutters that could act as sunshades. It took me a while to work those out.

The house is painted white, by the way. I took the pictures without flash and they came out rather yellow, I touched them up a little.
Instead of using shingles, I opted for a board roof, painted light blue.

* * * *
I wanted the house to look like it was right on the beach, but that was proving to be a problem

I had bought white sand, not snowy white, but definitely white.
Previously I showed examples of how my sand gluing tests turned out.

I discovered that most people recommend using white glue to glue on sand, so I decided to give it a try.
I had used sand on another project, Amos Gooch’s cottage, but the beach house needed a different look.
I wanted to try and achieve a look of soft, rather than flat packed sand, so I sculpted some styrofoam. I used a hot gun made for cutting styrofoam, and sandpaper. I then spread white glue on it and sprinkled on the sand. it turned out looking more like well treaded snow.
So, if you ever want to do a snow scene, in which children have been romping, you've got an idea of what you might try. You might want to try sprinkling some kind of white flocking on the styrofoam and see how it comes out.

Next I resigned my self to flat sand, so I painted the ground white, spread on white glue, and sprinkled on the white sand.
It did not look white. I had hoped that as it dried it might get lighter, but the next day it looked even darker.
You can see spots of white that I failed to cover with glue. The actual color of the sand is slightly grayer than the white paint.
Apparently using white glue does a great job with tan beach sand, and only tan beach sand.
I don't think the spray adhesive I used for Amos Gooch's front yard would be any better. Everything I tried turned my white sand brown.

Some people advised spraying sand with hair spray to keep it in place. I learned that this only works if the project is never bumped or touched.

I also considered making a tray and sticking the base in it, then pouring on the sand, but I didn’t really want to do that.

Finally I gave up on trying to give the look of soft beachy sand. I was getting tired of playing with sand.

As you can see, my sand isn't quite flat. All the experimenting I did helped to make a slightly lumpy base. There's several coats of sand and white paint under there, which was fine with me. I had planned on using the lumpiness anyway.
I wound up buying another can of spray adhesive to glue down the sand, the same as I did with Amos Gooch's front yard. The spray adhesive was the only thing I found that didn't darken my white sand very much.
Painting the board white and sprinkling sand on it came out looking ok, but I wasn't really satisfied with it.
I sprayed a section of the base with adhesive, and poured on some sand. After a few minutes I'd tilt the board and let the extra sand drop off. I finished by spraying on another light layer of adhesive.
I did try to make somewhat thicker layers of uneven sand, but discovered that if I let the can come too close, the force of the spray would push some of the sand away, and clump it. Since I was working in such close quarters, right next to the building, I had to keep the can just a few inches from the sand.
I think it may be possible to make a deeper, softer looking sand scene with the spray adhesive, as long as you work in layers and don't have to worry about overspray. If you make the sand too deep and spray over it, it'll work slightly better than hairspray did, holding it in place until you bump or jiggle the scene and break the hold.

The top layer of adhesive spray will feel a bit tacky, but I found from working with it before on the Gooch cottage, that in time the tackiness goes away. At least it does with sand. I don't know if this is because it acquired a slight layer of dust, but it really doesn't matter, the dust doesn't show.

I used plastic grasses I got at craft stores. I drilled holes into the base, inserting plant stems into holes where I could, and otherwise using toothpicks when the grass had no stem.

I happened to have some little clogs and a rolled up hose that would be just right for the front of the house.

Here's a view of the interior front before the furniture was added. I painted the walls using flat white spray paint. I felt it would give just the right sort of casual shabby chic look, with just a hint of bare wood.
Click here to see the roll up shade tutorial.

I thought about what I'd want in a tiny beach house for one.
The idea for this chair and sofa combination immediately leapt to mind.
 
As soon as I saw the red fabric I knew I had to use it for the upholstery.
The one piece corner unit consisting of a chair, table and sofa/bed is flanked by a narrow cabinet. I still had to add a knob for the cabinet door in the bottom.
I had originally planned on making an L shaped shelf on the corner table, but then I realized there might not be enough room for a lamp, so I cut it back to just one side.

Making the back cushions was harder than I thought it would be.
I wanted them to lean back, and not be just straight up and down, sort of wider at the bottom and slanting to a narrower top. I thought that cutting some foam to fit would be easy. It wasn't. Let's just say that the back sofa cushions came out lumpy and irregular. I decided on another way of getting the same look.
I wound up using pasteboard, the stuff they use to make gift boxes. Actually, I used the lid from an old gift box. I could have used a cereal box or something like that, but they all went out with the recycling the day before. I measured how long and high I wanted the cushion to be, and marked it out on the pasteboard. I marked out 4 folds like this.
I folded the card on the lines, then I glued the fold over flap to the inside of the front flap. Looking at it from the open end, it makes an oddly shaped triangle.
The front of the cushion curved a bit, as you can see in the pictures.
Next I used some polyester fiberfill to stuff inside the pasteboard form. This was to give it some body so it wouldn't flatten out. I also cut some foam in a shape similar to the form and stuffed it into the ends. Next I cut some very thin foam and glued it around the front and back of the cushion form. This would give it a more pillowy look, with softer edges.
Finally I covered it with fabric. This was a bit hit or miss. Frankly I was getting tired of fooling with the cushions for days. I snipped, tucked, stitched and glued till everything fit pretty much as it should.

The last piece I worked on was the kitchenette unit.
In this picture I still had to add the faucet handles, a couple of beads were set aside for that. Let's start at the beginning.

I used a broken sink unit. the faucet was snapped off and so was a horizontal handle just under the sink.

I pried the counter top off and then pulled it apart from the sink. Then I needed to pry out the remains of the faucet, and fill in the holes where the horizontal handle or "towel bar" was attached.
I made a little extension that will serve as a mini refrigerator. the door won't open, I don't care. I put it together from bits of scrap wood. the new section was covered with several coats of gesso, sanding between coats, till I thought it was smooth enough. After that I gave the whole unit several coats of enamel spray paint.

The refrigerator door handle is made from aluminum tubing and some steel wire, both from the hardware store.
The counter top is cut from basswood, primed, sanded, then painted with 2 shades of reddish brown acrylic paint, splotched down randomly in a pouncing type motion with a paint brush and blended together.
Next the countertop was sanded gently with very fine grit sand paper to smooth it a bit, and sprayed with Krylon matte finish. I could have used a shiny spray varnish, but it wasn't handy, and I thought the matte finish would be nice. My real life kitchen counters are a matte Corian, so I guess I just prefer that sort of counter finish usually.
I think it looks a little rough in this picture, but when I look at the piece in real life, it's much better, the little flaws all blend together.
For the faucet, I used a piece of steel wire. I just drilled a hole and glued it into place.
There's an indentation where the original faucet piece was. I painted the bottom of the indentation with white paint, then I filled it in with white glue and let the glue dry overnight. This morning I saw that the glue had shrunk quite a bit, so I added another layer of glue on top of it. the glue is wet in this picture.
I thought of filling the space in with wood putty or plaster, but I was worried that it might crack and become a pain to try and repair, and I feared I might damage the faucet doing so.


An angled view of the side, and below, one of the side and back. I added little posts in the windows to keep the shutters up. I used 2 different sets of hinges for the shutters, and one stays up by itself, and the other one won't. In reality the shutters should have some sort of prop or paraphernalia to keep them up, so I used the prop rods for both of them.
Here's the inside, I think it would make a fine place to hide out.
Another view of the inside.
A doll's eye view from the front door.
And here's another one.
Finally a closeup of the sink.
After letting several layers of white glue dry, I decided to see what would happen if I mixed Mod Podge with silver spray paint. I didn't have a pot of silver, or I would have tried mixing the Mod Podge with it, or I might have just painted the faucet area with the silver paint.

I sprayed the paint onto a tray aside some Mod Podge, and mixed them with a brush. the silver color held pretty well, but when I added a little more Mod Podge to the mix it began to look more gray, with little bits of silver color mixed in. It looked rather interesting, like something you'd see on a vinyl couch, or a 50's modern tabletop.
I used it to bring up the level of the faucet area, but since it was duller than I wanted, I touched it up after it was dry with the silver paint. I just sprayed some of the paint on a tray and dabbed it onto the dry faucet base with a brush. When the silver had dried I glued on 2 small clear plastic beads.

Finally finished!